07/28/2026
Losing a phenom as great as Betye Saar just days before her centennial is beyond devastating. She was, as her work continues to be,"an active resuscitator" of Black life. We will miss her greatly.
🎨: "The Sound of Water," by Betye Saar, 1999
Monoprint in colors, on wove paper (full sheet)
❤️🖤💚🕊️Rest in Power, Mama Saar,
Excerpts from various writings on Saar:
"Betye Saar’s work coalesces the “personal” with the “political”, utilizing the intimacy of nostalgia and assemblage to address social inequalities and cultural issues. An instrumental participant in many 20th century artistic moments – including the Black Arts Movement of the 1970s and feminist art – Saar began creating politically-charged collages and assemblages after the assassination of Martin Luther King Jr. in 1968. Since then, her art has tackled the realities of racism and sexism and has been a mode of processing outrage.
By integrating an experimentation “with dead objects, with things that people have thrown away: old photographs, and so on,” Saar has said, her work delivers a transformative experience. "My work is at the crossroads between death and rebirth. Discarded materials have been recycled, so they’re born anew, because the artist has the power to do that.” —Betye Saar
In The Sound of Water (featured here), Saar's work converges many important facets of her career.
This piece is part of a 1999 element series that personifies the four main elements of nature with the female body and expands on her 1988 non-embodied element series made on silk banners. With its deckled edges and texture from luscious layers of ink, the wove paper resembles cloth, a material that has been present in Saar’s work for decades. For her, cloth represents women’s labor as a historically overlooked source of creative ingenuity, as well as disposability and change. Similar to her first major work, Black Girls Window, made thirty years prior, the only distinguishable feature the anonymous figure (which asserts Saar's voice in the feminist discussion on oppression) has are her eyes, although now they are gazing up, possibly with hope for a better future.".