treat gallery

treat gallery • colorful • contemporary • sweet • treat gallery has a proven track record of helping others through contemporary art.

We partner with like-minded professionals and businesses with a shared goal of making the contemporary art field more honest and tangible. We participate in major art fairs, provide scholarships, portfolio reviews, and have a couple pop-up exhibitions a year. treat gallery is not a non-profit organization, and we do not accept direct donations, but with every project or pop-up show, we donate 15%-

100% of proceeds to a various cause or non-profit. We strongly believe in giving-back to others in everything we do. In addition to our events and projects, we always donate a portion of sales to others when we exhibit at an art fair or hold an exhibition (online or in-person.)

(image: Kara Wilson / Kara Wilson - “Phone a Founder,” 2026. Screenprint on Archival Paper24 × 20,” Edition of 5, $1,900...
09/08/2026

(image: Kara Wilson / Kara Wilson - “Phone a Founder,” 2026. Screenprint on Archival Paper
24 × 20,” Edition of 5, $1,900)

“My work consists mainly of original screenprints.

Existing between the dream world and awake, my process begins with the surprising forms that cross my semi-conscious mind. Dream impressions of people, settings, and objects combine, calcify and condense into new elemental shapes.

After hand sketching, I refine my visions using both digital and traditional tools to produce each silkscreen. The screenprinting process inherently mimics how my dream visions render themselves in my mind’s eye, layer by layer. My prints are short-run limited editions, providing for the precision and crisp qualities my shapes are asking for, while allowing for imperfection and variation.”

Kara is a visual artist working in printmaking, painting, and 3D printed sculpture. Her work explores the abstraction of portraiture, landscape, and object, expressed through deconstructed geometric shapes. She is fascinated by how nature’s innate rhythms influence us. By re-interpreting her subjects through shape, form, and color, Kara aims to create space for another version of a soul or terrain.

Kara holds a BS in Studio Art and Art Education from Skidmore College. She resides in Westchester County, NY. Kara regularly shows her work at various regional exhibitions, including KinoSaito, and in art fairs, including The Other Art Fair.

See this and more on Artsy in our current feature: “NOT YET!” Up through September 14th.

(image: Evan Peltzman / Evan Peltzman - “Face North,” 2026. Acrylic, Ink and Pastel on Wood Panel, 17×x13.5x2.5,” $2,000...
09/04/2026

(image: Evan Peltzman / Evan Peltzman - “Face North,” 2026. Acrylic, Ink and Pastel on Wood Panel, 17×x13.5x2.5,” $2,000)

“2026 is all about obstruction and the creative ways that humans adapt and overcome during a summer that feels like a breaking point.”

“Face north” features a scarecrow because I believe scarecrows are a testament to human resilience; we stand up to pestilence and bad weather even when all we have are some old clothes stuffed with straw.”

Born and raised in California’s San Francisco Bay Area during the 1980’s and 90’s, Evan was heavily influenced by the artwork and aesthetic of the local skateboarding, live music and graffiti of the times. San Francisco’s DIY culture of the early 90’s inspired him to get creative with his materials, exhibition venues and studio spaces. This approach to art making continues to follow him today as he builds all of his own wood panels, canvas stretchers and frames while experimenting with unorthodox methods of painting.

This piece is included in our current feature on Artsy and on our website, and we’re thrilled to be exhibiting Evan’s work during Affordable Art Fair NYC this month.

(image: Evan Peltzman / Evan Peltzman - “What Is Fleeting,” 2026. Acrylic and Wood on Wood Panel, 22 × 17 × 2 ,” $2400)“...
09/03/2026

(image: Evan Peltzman / Evan Peltzman - “What Is Fleeting,” 2026. Acrylic and Wood on Wood Panel, 22 × 17 × 2 ,” $2400)

“2026 is all about obstruction and the creative ways that humans adapt and overcome during a summer that feels like a breaking point.”

“What is fleeting” addresses my experience with housing instability; I’ve had to move homes so often that the idea of housing feels like a silly figment of my imagination and creating an absurd, cartoonish visual representation of that is cathartic to me.“

Born and raised in California’s San Francisco Bay Area during the 1980’s and 90’s, Evan was heavily influenced by the artwork and aesthetic of the local skateboarding, live music and graffiti of the times. San Francisco’s DIY culture of the early 90’s inspired him to get creative with his materials, exhibition venues and studio spaces. This approach to art making continues to follow him today as he builds all of his own wood panels, canvas stretchers and frames while experimenting with unorthodox methods of painting.

This piece is included in our current feature on Artsy and on our website, and we’re thrilled to be exhibiting Evan’s work during Affordable Art Fair NYC this month.

“Alien Superstar,” 2023 by E Brady Robinson will be on view during this month’s Affordable Art Fair NYC! For the past de...
09/02/2026

“Alien Superstar,” 2023 by E Brady Robinson will be on view during this month’s Affordable Art Fair NYC!

For the past decade, E. Brady Robinson has photographed Baltimore’s creative community through portraiture, editorial collaborations, and documentary work. Her photographs celebrate agency, individuality, and the energy of the people who shape Baltimore’s cultural landscape.

SK8R GRLS began in the spring of 2021, when Robinson took up roller skating as a way to stay active and reconnect with friends outdoors during the pandemic. During these skate dates, she began photographing friends and eventually a wider network of Baltimore-based female-identifying skaters. The project expanded into the studio, bringing together her interests in athleticism, fashion, and portraiture. Made as the world began to reopen after more than a year of isolation, the photographs evoke a sense of release and freedom.

Alien Superstar is a portrait of Marquis Clanton, an ICON in the House of Revlon and a prominent figure in the international ballroom scene. The portrait reflects the creative exchange between photographer and subject that is central to Robinson’s practice.

(Image details: E. Brady Robinson - “Alien Superstar,” 2013. Archival Metal Print, 15x10,” $1,000 - view on Artsy!)

Lyubava Kroll - “American Pie,” 2025. Gouache on Cardboard 10 × 6.5,” $400)“Halfway through 2026, I find myself reflecti...
09/01/2026

Lyubava Kroll - “American Pie,” 2025. Gouache on Cardboard 10 × 6.5,” $400)

“Halfway through 2026, I find myself reflecting on what still deserves our care, attention, and hope. Nature continues to anchor my practice, alongside a commitment to repurposed materials and environmental reflection. Though these works differ in form, they are united by resilience, transformation, and hope. An iris emerging from an abstract figure dissolves the boundary between human and nature. A cecropia moth breaking free from a discarded box embodies persistence despite human-made constraints. American Pie, painted on reclaimed cardboard, embraces joy and playfulness as quiet acts of resistance amid political turmoil.”

Lyubava Kroll (she/her), MDes, is a multidisciplinary artist, designer, and educator based in New York. Her artistic practice explores sustainability, topophilia, and the relationship between humans and nature through painting, illustration, and repurposed materials. Before joining CUNY’s New York City College of Technology as a Lecturer, she led global brand and visual communications at the United Nations Global Compact and worked with organizations across Canada and the United States. Kroll specializes in branding and design strategy. Her work has received multiple design awards and has been exhibited in juried and non-juried exhibitions throughout the United States and Canada.

(image - Arielle Tesoriero / Arielle Tesoriero 💙 - “Leftovers II,” 2026. Acrylic gel, coffee grounds, staples on wooden ...
08/30/2026

(image - Arielle Tesoriero / Arielle Tesoriero 💙 - “Leftovers II,” 2026. Acrylic gel, coffee grounds, staples on wooden panel, 5 × 6.5,” $800)

“In 2026, I leaned fully into the body of work I call Cake Girls. I use cake as a symbol of identity, where the body and cake become indistinguishable. In this piece, cake becomes skin, forming a stomach that carries what has been consumed and what cannot be let go, holding the accumulation of memory, desire, and expectation. This year, as I turn 29, I find myself thinking more deeply about the ways identity is continually consumed, reshaped, and recreated, leaving behind evidence of both what has been endured and what has yet to come.”

This piece is included in our current feature “NOT YET,” up through September 14th.

Arielle Tesoriero is a multidisciplinary artist who lives and works in NYC. She has exhibited with Steven Zevitas Gallery, New Art Dealers Alliance (NADA), The Painting Center, and The Untitled Space. Recently, she was recently awarded the Martha T. Rosen Memorial Scholarship from the Art Students League of New York. In 2022, she received the Kylemore Abbey Artist Residency in Ireland and was named a finalist for the New American Paintings Emerging Artist Grant. Tesoriero has exhibited across the United States and internationally, and holds an MFA from the New York Academy of Art.

Michael O’Brien - “Dolly Parton & Mother Avie Lee Parton, Sevierville, TN,” 1986. Archival Pigment Print, 17x22,” $2,900
08/30/2026

Michael O’Brien - “Dolly Parton & Mother Avie Lee Parton, Sevierville, TN,” 1986. Archival Pigment Print, 17x22,” $2,900

(image: Jonathan Schimpf / Jonathan Schimpf - “Goode Company Armadillo Palace,” 2026. Digital Photograph, 20x16,” $600)“...
08/29/2026

(image: Jonathan Schimpf / Jonathan Schimpf - “Goode Company Armadillo Palace,” 2026. Digital Photograph, 20x16,” $600)

“These photographs were made in Houston during 2026 while I was participating in a stem cell clinical trial following a severe traumatic brain injury in 2022. During the seven weeks I spent there, I continued my long-term practice of searching for unusual observations within ordinary places. Created during the first half of the year, these images reflect a period defined by uncertainty, hope, and the act of paying attention. For me, “Not Yet” speaks to existing between where I have been and where I hope to be.”

Jonathan Schimpf is a Pennsylvania-based photographer whose work explores quiet visual anomalies found in everyday environments. His photographs emphasize observation over spectacle, transforming overlooked architecture, public spaces, and ordinary landscapes into images that invite slower looking. In addition to his photographic practice, Strange Observations, he volunteers as a Hope Ambassador with Hope Survives, a nonprofit supporting brain injury survivors and caregivers.


(image: Jonathan Schimpf / Jonathan Schimpf - “1271 South Street,” 2026. Digital Photograph, 20x16,” $600)“These photogr...
08/28/2026

(image: Jonathan Schimpf / Jonathan Schimpf - “1271 South Street,” 2026. Digital Photograph, 20x16,” $600)

“These photographs were made in Houston during 2026 while I was participating in a stem cell clinical trial following a severe traumatic brain injury in 2022. During the seven weeks I spent there, I continued my long-term practice of searching for unusual observations within ordinary places. Created during the first half of the year, these images reflect a period defined by uncertainty, hope, and the act of paying attention. For me, “Not Yet” speaks to existing between where I have been and where I hope to be.”

Jonathan Schimpf is a Pennsylvania-based photographer whose work explores quiet visual anomalies found in everyday environments. His photographs emphasize observation over spectacle, transforming overlooked architecture, public spaces, and ordinary landscapes into images that invite slower looking. In addition to his photographic practice, Strange Observations, he volunteers as a Hope Ambassador with Hope Survives, a nonprofit supporting brain injury survivors and caregivers.


We had a lovely evening at A Space viewing Evan Peltzman’s solo exhibition! We’re excited to work with Evan next month d...
08/27/2026

We had a lovely evening at A Space viewing Evan Peltzman’s solo exhibition! We’re excited to work with Evan next month during Affordable Art Fair NYC! Evan’s work is a must-see in person. Send us a DM for complimentary tickets!

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